EST 1917
Collective Concerts Presents
Justin Young, lead vocalist of The Vaccines, believes there’s a difference between having fun and being happy, and their sixth album, Pick-Up Full of Pink Carnations, explores the space between these concepts. The record is a burst of energy with 10 tracks in just over half an hour, yet it delves into themes of loss and the harsh realities of life that contrast with our curated social media personas.
The album’s title is inspired by a misremembered lyric from Don McLean’s American Pie, sparking reflections on Young’s disillusionment with the American dream, especially after moving to LA. The album captures the feeling of loss—not just romantic, but also the loss of dreams and expectations.
The opening track, “Sometimes, I Swear”, sets the tone with lyrics that speak to the gap between reality and expectations. Young’s feelings of loneliness and displacement are evident throughout the album, despite the upbeat, pop-infused melodies. This contrast between somber themes and lively music is intentional, aiming to connect with listeners on a deep, emotional level.
The album marks a new chapter for The Vaccines, with Timothy Lanham stepping up as lead guitarist after Freddie Cowan’s departure. The band recorded the album with producer Andrew Wells, known for his work in pop, adding a fresh twist to their classic sound. Despite the changes, the band remains true to their signature style—euphoric, melancholic, and always direct.
January 21 2025
19+
Doors at 7:00PM
$42.89
Live Nation Presents
As a prolific songwriter, powerhouse vocalist, and proficient guitar player, Myles Kennedy tunes into the rhythm of his surroundings and goes with the flow. Fronting Alter Bridge, his soaring vocals, open-hearted lyrics, and airtight riffs have fueled the group’s global impact as a gold-certified, arena-filling force of nature over two decades-plus. On the microphone for Slash and The Conspirators, his towering range has consistently stunned audiences since 2010. Becoming a celebrated collaborator, he’s the rare presence just as comfortable on a track with Disturbed, Halestorm, and Sevendust as he is with Gov’t Mule and Darryl “DMC” McDaniels. It’s why he’s generated over 1 billion cumulative streams, earned gold and platinum certifications worldwide, uplifted countless fans, and KERRANG! christened him “one of rock’s finest vocalists.” It’s also why he’s carved out his own lane. 2021 saw him deliver his acclaimed sophomore opus, The Ides of March. It impressively notched a total of four #1 debuts across three countries, toppling the Billboard US Top Current Hard Music Chart, the UK Official Rock & Metal Chart and Official Independent Album Chart, and Canada’s Hard Music Albums Chart. Beyond generating 10 million-plus streams, it incited unanimous critical applause from American Songwriter, Guitar.com, LoudWire, Guitar World, and more. RIFF hailed it as “a fantastic and must-listen record,” while Classic Rock Magazine awarded it “4.5-out-of-5 stars,” going on to attest, “The Ides of March confirms Myles Kennedy as a musical powerhouse.” With two solo efforts under his belt and sold out headline tours in the rearview, a sense of keenly honed intuition guides his third full-length LP, The Art of Letting Go [Napalm Records], led by the single “Say What You Will.”
January 22 2025
19+
Doors at 6:00PM
Embrace Presents
The two brothers were born and raised in front of the Jersey Island, they are now based in Paris. Their music is both inspired by French-touch and Indie rock of the BBC radio waves they could pick up during their childhood on the Normandy coast. They have built a strong reputation for their live performance mixing electronic music and rock energy. Their first EP was released last year and was followed by a sold out world tour that has just ended. They are now preparing for their next release and their festival tour.
January 25 2025
19+
Doors at 7:00PM
$30.00 - $40.00 (plus fees)
Collective Concerts Presents
2hollis is a 20 year old producer, singer, composer and songwriter from Los Angeles by way of Chicago. He makes music in the experimental, rap, electronic and pop realm thus far. He shoots and edits most of his visuals alongside creating the art for his releases. The internet has blown up with his various songs already and he has begun to sell out his tours from North America to Europe including his moshpit inducing stint being chosen to open the Ken Carson North American tour recently. Pitchfork calls him, “a remarkably distinctive, eagerly experimental savant whose sound never stalls or stagnates.” He is recently signed to Interscope Records.
January 26 2025
All Ages
Doors at 7:00PM
$36.43
Collective Concerts Presents
Funeral For Justice, is the new album by Mdou Moctar. Recorded at the close of two years spent touring the globe following the release of 2019 breakout, Afrique Victime, it captures the Nigerien quartet in ferocious form. The music is louder, faster, and more wild. The guitar solos are feedback-scorched and the lyrics are passionately political. Nothing is held back or toned down.
The songs on Funeral For Justice speak unflinchingly to the plight of Niger and of the Tuareg people. “This album is really different for me,” explains Moctar, the band’s singer, namesake, and indisputably iconic guitarist. “Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they’re going to help us, but what we see is really different. They never help us to find a solution.”
“Mdou Moctar has been a strong anti-colonial band ever since I’ve been a part of it,” says producer and bassist Mikey Coltun, who has been playing with Moctar since 2017. “France came in, fucked up the country, then said ‘you’re free.’ And they’re not.” The song ‘Oh France’ tackles this head on: “France’s actions are frequently veiled in cruelty/We are better off without its turbulent relation/It’s high time we grasp the endless lethal games it plays.”
On the lead single and title track, Moctar addresses African leaders directly, bidding them: “Retake control of your resource rich countries/Build them and quit sleeping”. The song ‘Sousoume Tamacheq’ deals with the plight of the Tuareg people to which the band belong, and who are mainly spread across three countries: Niger, Mali and Algeria. “Oppressed in all three/In addition to lack of unity, ignorance is the third issue.” Another song, ‘Imouhar’, calls on the Tuareg to preserve their Tamasheq language - it’s at risk of dying out, and Mdou is one of the few in his community who knows how to write it. “People here are just using French,” laments Mdou. “They’re starting to forget their own language. We feel like in a hundred years no one will speak good Tamasheq, and that’s so scary for us.”
Mdou Moctar in its current iteration is first and foremost a band. Alongside Moctar, it consists of rhythm guitarist Ahmoudou Madassane, drummer Souleymane Ibrahim, and American bassist and producer Mikey Coltun.
The band got their start performing at traditional weddings. These are high energy events – amps are dialed up to 11 and the whole town is invited to attend. “I grew up in the DC punk scene and this is no different,” explains Coltun. “It’s a DIY punk show: people bring generators, they crank their amps. Things are broken, but they make it work.”
Conveying that energy and feeling of community to a new audience has been an important goal for the band. Their first concerts in the US were sometimes, mistakenly, organized to be tame seated affairs. That’s no longer the case. Over 100s of shows, they’ve proven themselves as one of the world’s most vital rock bands – a group rooted in Tuareg tradition, but undeniably its own singular organism. An Mdou Moctar concert is now recognized to be a place for dancing, if not full-force moshing.
“Ilana was the gateway album, saying that this is a raw rock band. And Afrique Victime was a summation of that vision,” says Coltun, who captured the bulk of the recordings over five days in a mostly unfurnished house in upstate New York. “With Funeral For Justice, I really wanted this to shine with the political message because of everything that’s going on. As the band got tighter and heavier live, it made sense to capture this urgency and this aggression – it wasn’t a forced thing, it was very natural.”
In July 2023 – after Funeral For Justice had been completed – Niger’s democratically elected government was deposed in a military coup. The president was placed under house arrest and the nation plunged into a state of chaos and uncertainty. The French have withdrawn. The area continues to be threatened by terrorism. The band – then on tour in the US – was, for a time, unable to return to their families.
“I don’t support the coup,” explains Mdou, “but I never in my life liked France in my country. I don’t hate France or French people, I don’t hate American people either, but I don’t support their manipulative policies, what they do in Africa. In 2023 we want to be free, we need to smile, you understand?”
February 2 2025
19+
Doors at 7:00PM
$42.24
Collective Concerts Presents
Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.
On Soccer Mommy’s fourth album, the tender but resolute, Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s, Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.
February 4 2025
19+
Doors at 7:00PM
$49.32
Collective Concerts Presents
Lauren Mayberry, renowned as the dynamic front-woman of the groundbreaking electro-pop trio CHVRCHES, embarks on a new musical journey with her debut solo album, Vicious Creature. Over the past decade, Mayberry has captivated global audiences with her powerful vocals and incisive lyrics. Now, she delves deeper into her personal artistry, embracing freedom from past expectations to explore themes of empowerment, self-discovery, and moving beyond nostalgia.
Growing up in Scotland, Mayberry began her musical journey early, learning piano and drums in her teens and performing in bands by the age of 15. Influenced by confessional singer-songwriters like Tori Amos and Fiona Apple, she found solace in music that felt like personal companions, even as she navigated the challenges of being a woman in male-dominated bands. These early experiences shaped her resolve to create music that is both authentic and resonant.
With Vicious Creature, Mayberry unlocks a part of herself she had previously kept hidden. The album’s title, derived from the lyric “Nostalgia is such a vicious creature, another way to say that you fear the future,” encapsulates her desire to move forward artistically and personally. Collaborating with esteemed artists like Tobias Jesso Jr., Matthew Koma, Caroline Pennell, Ethan Gruska, Dan McDougall, and Greg Kurstin, she crafts songs that blend heartfelt storytelling with bold, left-field pop sensibilities.
Inspired by ‘90s British girl groups like All Saints and Sugababes, as well as icons like Annie Lennox and Sleater-Kinney, Mayberry infuses her solo work with cinematic flair and a touch of theatricality. Drawing from the dark, subversive sides of femininity found in musicals like Cabaret and Chicago, she takes control of her visual narrative, adding depth to her storytelling.
Vicious Creature marks a significant evolution for Lauren Mayberry, highlighting her growth as an artist and her commitment to authenticity. The album invites listeners into her world, offering a profound and relatable experience that underscores the power of embracing one’s true self.
February 7 2025
19+
Doors at 7:00PM
$49.32
MODO-LIVE & STAY LATE Presents
MADKID and NANO are two powerhouse acts taking the Japanese music industry by storm, each bringing their unique flair and energy to audiences worldwide. Now, they are joining forces to deliver an unprecedented musical experience that blends MADKID’s dynamic performances with NANO’s electrifying vocals.
MADKID, formed in 2014, is a five-member Japanese boy band known for their high-energy choreography and genre-blending sound that fuses J-Pop, Hip-Hop, and R&B. With chart-topping hits like, RISE, and, FAITH, —- both featured as theme songs for the popular anime series The Rising of the Shield Hero —- MADKID has captivated fans with their infectious beats and compelling lyrics. Their innovative approach to music and performance has positioned them as one of the most exciting groups in the contemporary J-Pop scene.
NANO, a bilingual Japanese-American singer, has been mesmerizing audiences since 2012 with powerful and emotive vocals that transcend language barriers. Known for seamlessly blending English and Japanese lyrics, NANO has made a significant impact with hits like, No Pain, No Game, and, Savior of Song. Their contributions to anime soundtracks and collaborations with various artists have solidified NANO’s status as a leading figure in the J-Rock genre.
Together, MADKID and NANO are set to revolutionize the music scene with a collaboration that promises intensity, passion, and innovation. Their combined talents create a sonic experience that transcends genres and cultures, appealing to a global audience eager for fresh and exciting music.
February 8 2025
19+
Doors at 7:00PM
Live Nation Presents
Travis, the iconic British rock band formed in Glasgow in 1990, has left an indelible mark on the music scene with their evocative melodies and introspective lyrics. Comprised of frontman Fran Healy, guitarist Andy Dunlop, bassist Dougie Payne, and drummer Neil Primrose, the band gained widespread recognition in the late 1990s and early 2000s. Their breakthrough album, The Man Who (1999), propelled them to international stardom with hit singles like “Why Does It Always Rain on Me?” and “Driftwood.” This album’s melancholic yet hopeful tone resonated deeply with audiences, establishing Travis as a defining voice of the post-Britpop era.
Travis’s musical style is characterized by its blend of melodic rock, folk influences, and introspective lyrics, often exploring themes of love, loss, and existential reflection. Their follow-up album, The Invisible Band (2001), continued their success with tracks such as “Sing” and “Side,” further cementing their reputation for crafting emotionally resonant anthems.
Over the years, Travis has released several acclaimed albums, including, 12 Memories (2003), The Boy with No Name (2007), and, Where You Stand (2013), showcasing their ability to evolve while maintaining their distinctive sound. Known for their engaging live performances, the band has built a loyal global fanbase and influenced numerous artists across genres.
Beyond their musical achievements, Travis is noted for their philanthropic efforts, supporting various charitable causes and contributing to their community. With a career spanning over three decades, Travis continues to captivate audiences with their heartfelt music and enduring presence in the rock landscape.
February 12 2025
19+
Doors at 7:00PM
MODO-LIVE & Programme Presents
Nouvelle Vague is the ultimate fusion of new wave cool and bossa nova charm. Known for their sultry, laid-back reinterpretations of classic punk, post-punk, and new wave tracks, this French collective has captivated audiences around the globe with their innovative sound. Founded by Marc Collin and Olivier Libaux, Nouvelle Vague takes beloved songs from the ‘70s and ‘80s, transforming them into sophisticated, acoustic, and jazzy renditions that are as refreshing as they are nostalgic.
Imagine the sharp edges of bands like Joy Division, The Cure, or Depeche Mode softened by a smooth, Brazilian-inspired groove, and you’ll start to understand what makes Nouvelle Vague so unique. Their stripped-down, lounge-style arrangements are fronted by a rotating lineup of enchanting female vocalists, whose airy and playful deliveries breathe new life into these iconic songs. Tracks like “Love Will Tear Us Apart” and “Just Can’t Get Enough” take on a whole new meaning, with their melancholic undertones juxtaposed against breezy, summery rhythms.
Whether you’re a die-hard fan of the original tracks or new to the genre, Nouvelle Vague offers a fresh perspective, creating a soundscape where nostalgia meets modern elegance. It’s music for unwinding, for remembering, and for falling in love all over again with the songs you thought you knew. Perfect for a chic evening or a chilled-out afternoon, Nouvelle Vague provides the perfect soundtrack to elevate your mood and transport you to a world where bossa meets new wave bliss.
February 15 2025
19+
Doors at 7:00PM
MODO-LIVE & Homestand Presents
Tiakola, born William Mundala in 1999 in La Courneuve, France, is a trailblazer in the French urban music scene. With a unique blend of melodic rap and Afro-inspired rhythms, Tiakola has rapidly ascended to become one of the most innovative voices of his generation. Formerly part of the influential group 4Keus, he gained widespread recognition for his ability to seamlessly merge compelling storytelling with infectious beats, setting him apart in an increasingly competitive industry.
Since embarking on his solo career, Tiakola has consistently pushed musical boundaries. His breakout hits, such as “Etincelle” and “Si j’savais,” showcase his remarkable ability to combine lyrical introspection with anthemic energy. Tiakola’s artistry reflects his Congolese roots, often incorporating Afrobeat elements that pay homage to his heritage while crafting a sound distinctly his own.
Known for his charisma and authenticity, Tiakola has amassed a loyal fan base that transcends linguistic and cultural barriers. His collaborations with major artists like Gazo and Niska have further cemented his status as a powerhouse in the French urban music landscape.
Tiakola’s music is more than entertainment—it’s an exploration of identity, ambition, and resilience. Whether commanding a festival stage or dominating streaming platforms, Tiakola continues to elevate French music on the global stage. As he charts new territories, Tiakola remains a beacon of innovation and cultural pride, poised to leave an indelible mark on the world of music.
February 22 2025
19+
Doors at 7:00PM
$52.81 - $95.01
Continental Touring & Hard Impact Presents
Septicflesh stands as one of the most iconic names in the world of symphonic death metal. Formed in Athens, Greece, in 1990, the band has spent decades crafting a signature sound that fuses the crushing brutality of death metal with the sweeping grandeur of orchestral arrangements. Their music is a rich tapestry of cinematic scope, uniting operatic choirs, haunting string sections, and bombastic brass with guttural growls, razor-sharp riffs, and pummeling rhythms.
Septicflesh’s innovative approach has garnered critical acclaim and a devoted global fanbase, solidifying their place as pioneers of the genre. Albums like, The Great Mass (2011), Titan (2014), and, Codex Omega (2017), showcase their mastery of blending classical and metal elements, often collaborating with full orchestras to bring their ambitious visions to life. Their lyrical themes explore mythology, existentialism, and the darker corners of the human psyche, adding a profound depth to their sonic onslaught.
Led by founding members Spiros Antoniou (vocals, bass) and Christos Antoniou (guitars, orchestrations), along with Sotiris Vayenas (guitars, clean vocals) and Kerim “Krimh” Lechner (drums), the band’s performances are nothing short of awe-inspiring. Whether on record or on stage, Septicflesh delivers an unforgettable experience, pushing the boundaries of what extreme metal can achieve.
With their groundbreaking artistry and relentless innovation, Septicflesh continues to reign as a trailblazer in the metal scene, redefining the genre with each epic release.
February 24 2025
19+
Doors at 7:00PM
$38.75
Inertia Entertainment Presents
Renowned vocalist, writer, and artist Randy Blythe, best known as the powerhouse frontman of the Grammy-nominated metal band Lamb of God, is stepping into the spotlight in a new and deeply personal way. This year, Blythe embarks on a spoken word tour to celebrate the release of his latest book, Just Beyond the Light. A masterful storyteller with an unrelenting creative spirit, Randy invites audiences to experience an intimate evening of reflection, raw honesty, and the stories that shaped his journey.
Just Beyond the Light is a gripping exploration of resilience, transformation, and the beauty found in life’s darkest moments. Through vivid prose and unfiltered vulnerability, Blythe takes readers on a journey that transcends genre and speaks to the universal human condition. His spoken word performances promise to bring the pages to life, as he weaves together excerpts from the book, personal anecdotes, and powerful reflections on the themes that inspire his work.
Known for his electrifying stage presence and deep connection with his audience, Randy’s spoken word tour offers a rare glimpse into the mind of one of metal’s most dynamic figures. With his trademark wit, wisdom, and intensity, he breaks down barriers, inviting fans into a profound conversation about art, growth, and the human experience.
Don’t miss this chance to witness a living legend in a whole new light. Join Randy Blythe for Just Beyond the Light—a night of words that will resonate long after the lights dim.
February 26 2025
19+
Doors at 7:00PM
$92.75
Gary Topp Presents
Jonathan Richman is a pioneering musician whose heartfelt, whimsical, and refreshingly honest approach to songwriting has charmed audiences for over five decades. Emerging from the vibrant Boston music scene in the early 1970s, Richman first made waves as the frontman of The Modern Lovers, a band whose stripped-down sound and raw lyrics laid the groundwork for the punk and indie rock movements. Their 1976 self-titled album, featuring iconic tracks like “Roadrunner” and “Pablo Picasso,” remains a touchstone of rock music.
After The Modern Lovers, Richman took a sharp turn toward a more acoustic and playful style, crafting songs that celebrate the beauty of everyday life, human connection, and simplicity. His music, often blending folk, rock, and world influences, is characterized by an infectious sincerity and an irrepressible sense of wonder. Tracks like “That Summer Feeling” and “I Was Dancing in the Lesbian Bar” exemplify his knack for crafting poignant and quirky vignettes.
Richman’s live performances are legendary for their intimacy and spontaneity, with the artist often engaging the audience in conversation and adapting his setlist on the fly. His enduring influence can be felt across generations, from punk icons to contemporary indie artists.
With his ever-youthful spirit, Jonathan Richman continues to bring joy and authenticity to his music, reminding us all to find beauty in the simple moments of life. Whether on stage or through his timeless records, Richman is a singular voice in modern music.
March 2 2025
19+
Doors at 7:00PM
$42.55 - $53.85
Inertia Entertainment Presents
Get ready to embark on a journey through the untamed wilds of Nordic sound as Korpiklaani and Ensiferum team up for the Folkfest of The North! This monumental co-headlining tour brings together two of Finland’s most iconic metal bands for a night of music, myth, and mayhem.
Korpiklaani, the undisputed kings of folk metal, bring their signature blend of traditional Finnish instruments, infectious rhythms, and anthemic choruses to the stage. Known for hits like “Beer Beer” and “Vodka,” their music captures the raw joy and revelry of Nordic tradition. With their unparalleled energy and party-starting vibes, Korpiklaani turns every performance into a rollicking feast for the senses.
Joining them is the mighty Ensiferum, legendary purveyors of Viking and melodic death metal. Their powerful, cinematic sound is steeped in mythological themes and tales of battle, combining intricate melodies and driving riffs in songs like “Lai Lai Hei” and “Victory Song.” Ensiferum’s music is a call to arms, inspiring audiences to embrace their inner warrior.
Together, these two titans deliver a concert experience unlike any other—a celebration of tradition, power, and the unbreakable spirit of the North. Whether you’re a longtime fan or a newcomer to the genre, Folkfest of The North promises an unforgettable night of metal mastery.
Raise your horns and join the festivity—this is Nordic metal at its finest!
March 3 2025
19+
Doors at 5:30PM
$50.90
Live Nation Presents
Shannon Beveridge is a trailblazing content creator, filmmaker, and LGBTQ+ advocate who has captured hearts and inspired millions through her authentic storytelling and creative vision. Rising to prominence with her YouTube channel, nowthisisliving, Shannon has used her platform to share candid insights into her life, relationships, and journey as a member of the LGBTQ+ community. Her raw, heartfelt videos resonate deeply with audiences, creating a safe and inclusive space for conversations about identity, love, and self-discovery.
Beyond YouTube, Shannon has expanded her reach as a filmmaker and photographer, bringing a unique perspective to every project she undertakes. Her work combines artistic finesse with emotional depth, often shining a light on the nuanced experiences of marginalized communities. Her short film, Piece of Cake, garnered widespread acclaim, cementing her reputation as a powerful voice in contemporary storytelling.
As an advocate, Shannon actively engages in initiatives supporting LGBTQ+ rights and mental health awareness. She frequently collaborates with organizations like The Trevor Project, leveraging her influence to foster understanding and acceptance.
Shannon’s impact extends beyond the screen—her warmth, wit, and unflinching honesty have earned her numerous accolades, including the Shorty Award for Best LGBTQ+ YouTube Channel. With a growing presence across platforms and a commitment to authenticity, Shannon continues to empower individuals to embrace their true selves and live unapologetically. Whether behind the camera or connecting with fans, Shannon Beveridge remains a vibrant force for creativity, representation, and change.
March 5 2025
All Ages
Doors at 7:00PM
$47.00
Collective Concerts Presents
Emerging from the vibrant music scene of Montreal in 2003, Wolf Parade has carved a niche as one of indie rock’s most influential and enduring bands. Comprised of Spencer Krug (vocals, keyboards), Dan Boeckner (vocals, guitar), and Arlen Thompson (drums), the trio’s dynamic synergy and genre-defying sound have captivated audiences worldwide.
Wolf Parade burst onto the scene with their critically acclaimed debut album, Apologies to the Queen Mary (2005), produced by Isaac Brock of Modest Mouse. The album’s raw energy and intricate melodies set a new standard for indie music, earning them spots on numerous “Best of” lists and a devoted global fanbase.
Their subsequent releases, At Mount Zoomer (2008), and, Expo 86 (2010), showcased the band’s evolving sound—melding introspective lyrics with expansive arrangements. After a brief hiatus, Wolf Parade returned stronger than ever with, Cry Cry Cry (2017), and, Thin Mind (2020), reaffirming their status as innovators in the indie rock landscape.
Known for their electrifying live performances, Wolf Parade has graced stages at premier festivals such as Coachella, Glastonbury, and Primavera Sound. Their music resonates with authenticity, weaving together themes of existential contemplation and human connection.
As of 2023, Wolf Parade continues to push creative boundaries, working on new material that promises to further their legacy of artistic excellence. Their enduring influence on the indie music scene is a testament to their talent and dedication.
Night 1: March 11 2025
19+
Doors at 7:00PM
Sold Out!
Night 2: March 12 2025
19+
Doors at 7:00AM
$55.12
MRG Live Presents
Nicotine Dolls make music you can’t hide from; raw, gripping, and deeply personal. The New York alternative quartet—Sam Cieri (vocals), John Hays (guitar), John Merritt (bass), and Abel Tabares (drums)—have built a reputation for storytelling that commands attention, with gritty, emotional vocals and instrumentation that combines punchy, rafter-reaching hooks with nuanced soundscapes. Their music feels like a late-night call from your closest friend, brimming with joy, regret, and unfiltered honesty.
The band officially emerged in 2019, forged from the unique paths of its members. Sam Cieri, whose journey has spanned motels, Las Vegas stages, and South Florida gigs, met John Hays during a Broadway tour in 2015. Their instant bond soon attracted Merritt and Tabares, solidifying the lineup. Since then, Nicotine Dolls have made waves with self-penned and self-produced releases, including the viral hit “What Makes You Sad” (13 million Spotify streams) and their evocative cover of Tina Turner’s “The Best” (12 million Spotify streams). Their catalog now boasts nearly 50 million Spotify streams, with over 1.7 million TikTok followers and close to 900k on Instagram.
In 2024, Nicotine Dolls released the live EP, Nicotine Dolls, on Audiotree Live, further cementing their reputation for raw, vulnerable artistry. Their debut full-length album, set for early 2025 under Nettwerk Music Group, explores themes of love, loneliness, and emotional bravery. As frontman Sam Cieri puts it, “This record is about admitting that being loved would be nice.”
Stay tuned—Nicotine Dolls are just getting started.
March 22 2025
19+
Doors at 7:00PM
Inertia Entertainment Presents
By the power of darkness and with the might of black-hearted will no two Mayhem albums have been or will ever be the same. Over the course of Mayhem’s storied and ground breaking 35-year career—from, Deathcrush (1987), through, Esoteric Warfare (2014), the Norwegians have continuously challenged the orthodoxy of the genre they helped create. In 2019, Mayhem released their latest studio album, Daemon.
Daemon isn’t a direct follow-up to Esoteric Warfare. Like all Mayhem albums of their time, Daemon is unto itself. Indeed, this album also isn’t a new chapter in Mayhem’s storied career. Rather, it’s a new tone, authoritative yet wild in character. Daemon is change, an opportunity for the maw of hell to open wider. The album was also the byproduct of irascible and captious individuals. Anger, frustration, and the continued struggle to push—at whatever cost—the band’s music forward were at the dark heart of Mayhem’s newest album.
The five-year wait for Daemon is something all fans prepared for, with the understanding that Mayhem, in whatever guise it presents itself, will always return greater than before, stronger than ever yet still true to its roots.
The success of Daemon becomes evident on the international chart results. Mayhem reached No. 18 in the German Album Charts, No. 8 in the Finnish Combined Charts, No. 4 in the Finnish Physical Charts and No. 35 in the Austrian Album Charts. In November 2019 Mayhem toured alongside GosT and Gaahls Wyrd through Europe and sold out most of their shows.
March 26 2025
19+
Doors at 6:00PM
$49.99
MODO-LIVE & Programme Presents
Founded in Paris by three musicians with a passion for electronic music and vintage jazz, Caravan Palace has grown over the past 15 years from a local French sensation to an international powerhouse, all while staying true to their inventive sound and free-spirited approach. Blending upbeat rhythms with vintage jazz, swing, and vibrant live instrumentation, they’ve crafted a style that transcends trends and blurs musical boundaries, appealing to ballroom dancers, music lovers, gamers, and animation fans drawn in by their bold visuals and music videos. They’ve carved out their own lane, where everyone’s invited to join the party.
Their music has become a hit on social platforms, but Caravan Palace’s rise has been steady and organic, fuelled by fans who can’t get enough of their catchy songs. From their debut album to the RIAA Platinum-certified hit “Lone Digger,” their music has reached audiences worldwide, amassing billions of streams without ever seeking the spotlight. The band remains dedicated to creating music and performing it live, keeping their sound experimental yet accessible.
In spring 2025, Caravan Palace will kick off an exciting North American tour, bringing their dynamic live performances to cities across the U.S., Canada, and Mexico. Known for their exhilarating shows packed with brass, strings, and irresistible beats, this tour promises to be a celebration of music and dance like no other.
April 7 2025
19+
Doors at 7:00PM
Collective Concerts Presents
Tamino-Amir Moharam Fouad, known professionally as Tamino, is a Belgian-Egyptian singer-songwriter born on October 24, 1996, in Mortsel, Belgium. With a rich musical heritage—his grandfather being the renowned Egyptian singer and actor Moharam Fouad—Tamino has crafted a unique sound that seamlessly blends Middle Eastern influences with indie rock and folk traditions. His music is characterized by haunting melodies, emotive vocals, and introspective lyrics that explore themes of love, identity, and displacement.
Tamino burst onto the music scene in 2017 with his self-titled debut EP, featuring the breakout single “Habibi.” The song garnered international attention for its soulful depth and earned comparisons to legendary artists like Jeff Buckley. This early success set the stage for his critically acclaimed debut album, Amir, released in 2018. The album showcased his remarkable vocal range and introduced listeners to his fusion of Western and Eastern musical elements. Collaborating with the Nagham Zikrayat Orchestra, Tamino incorporated classical Arabic instrumentation, adding layers of cultural richness to his work.
The artist’s compelling live performances have captivated audiences worldwide. He has graced the stages of major festivals such as Rock Werchter, Pukkelpop, and Lowlands, and has embarked on successful tours across Europe and North America. In 2019, Tamino was honored with the Music Moves Europe Talent Award, further solidifying his status as one of Europe’s most promising young talents.
In 2022, Tamino released his sophomore album, Sahar, which continued to explore complex emotional landscapes while refining his signature sound. The album was met with widespread acclaim, highlighting his growth as a songwriter and his ability to bridge cultural divides through music. Collaborations with artists like Radiohead’s Colin Greenwood have also added new dimensions to his work, expanding his reach and influence.
As of 2023, Tamino continues to enchant listeners with his evocative artistry. His music not only resonates on a personal level but also serves as a cultural tapestry that connects diverse musical traditions. Tamino stands as a compelling voice in contemporary music, offering a blend of authenticity and innovation that sets him apart on the global stage.
April 8 2025
19+
Doors at 7:00PM
$55.12
Collective Concerts Presents
On her forthcoming record, Rose Cousins holds our hands as she guides us on a journey through the “conditions of love.” Ever the emotional explorer, the acclaimed, Nova-Scotia-based folk artist seeks truth, in all its imperfection, in the depths of our most complicated of emotions: love.
Co-produced with trusted friend and longtime bandmate, Joshua Van Tassel, this new collection of songs sees Rose return to her first love, the piano. “Piano is where I feel the most connected. It’s the best partner in expressing the emotion I’m mining,” she shares.
Rose’s work as garnered her two JUNO Awards (2013’s, We Have Made a Spark, & 2021’s, Bravado), two Canadian Folk Music Awards, eleven East Coast Music Awards and one Grammy nomination (2018’s, Natural Conclusion), along with praise from the likes of the CBC, No Depression, LA Times, Billboard, Folk Alley, and NPR, who raved “Cousins’ disarmingly fluid vocal tone has the ability to convey the most internalized feelings without an ounce of fuss.” Over the years, she has shared stages with Patty Griffin, Mary Chapin Carpenter, Jann Arden, Bruce Cockburn, Josh Ritter, Kathleen Edwards, Joe Henry, Aoife O’Donovan and Anais Mitchell, and her music has fittingly underscored scenes from notable TV shows including Grey’s Anatomy, Fire Country, Station 19 and Batwoman along with several independent films.
April 11 2025
19+
Doors at 7:00PM
$55.12
Collective Concerts Presents
Hailing from Sweden, The Tallest Man on Earth is the musical moniker of singer-songwriter Kristian Matsson, whose unique blend of poetic lyricism and raw, emotive performance has captivated audiences worldwide. Known for never staying in one place for long, Matsson spent much of the last decade touring the globe, captivating audiences with his dynamic performances. As The New York Times describes, he uses “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away.”
Since emerging on the folk scene with his 2006 self-titled EP, Matsson has built a reputation for his virtuosic guitar work, impassioned vocals, and intimate storytelling style, drawing comparisons to legends like Bob Dylan and Nick Drake while remaining entirely his own. His breakthrough came with the 2008 debut album, Shallow Grave, a record that showcased Matsson’s ability to craft timeless, stripped-down folk songs brimming with restless energy and stark beauty. Follow-up albums such as, The Wild Hunt (2010), There’s No Leaving Now (2012), and, Dark Bird Is Home (2015), expanded his sonic palette while maintaining the organic, homespun charm that defines his sound.
In 2020, Matsson returned to his farm in Sweden during a period of isolation and rediscovered his creative spark after months of reflection and growing vegetables. His 2023 album, Henry St., marks a new chapter, both thematically and sonically, as his first record created in collaboration with a full band. Produced by Nick Sanborn (of Sylvan Esso) and featuring contributions from an array of talented musicians, the album embraces vivid imagery, clever turns of phrase, and a rich, textured sound. Tracks like “Looking for Love” and “Every Little Heart” embody his signature stubborn optimism and newfound sense of playfulness.
An overarching theme of, Henry St., he says, is “how to be a person in this world,” grappling with the illusions of success and the importance of staying grounded. The album’s centerpiece, the title track, is both a low point and a moment of transformation, underscored by a poignant outro improvised by pianist Phil Cook that moved Matsson to tears during its recording.
Whether performing solo or with a band, Matsson’s live shows are a mesmerizing display of vulnerability and unbridled passion, leaving audiences spellbound. With a career spanning nearly two decades, The Tallest Man on Earth remains one of contemporary folk music’s most compelling voices, weaving tales of love, longing, and the human condition with every aching, soul-stirring note.
April 12 2025
19+
Doors at 7:00PM
$55.76
MODO-LIVE, I am the Eggplant, Art Don't Sleep Presents
Immerse yourself in a night of rich musical heritage and cross-cultural rhythms at The Concert Hall, featuring the legendary Ghanaian guitarist, composer, and producer, Ebo Taylor! With a career spanning over half a century, Taylor’s influence on African music is undeniable, from his early days with highlife bands like the Stargazers to collaborations with Afrobeat pioneer Fela Kuti. Taylor’s innovative blend of traditional Ghanaian music with jazz, funk, and Afrobeat creates a signature sound showcased in albums like, Ebo Taylor & the Pelikans, and, Tower Nyame. Experience the evolution of Taylor’s musical journey, from his pioneering horn arrangements to his timeless classics like “Heaven,” as he takes the audience on a soul-stirring exploration of African rhythms and melodies. This special evening at The Concert Hall celebrates Taylor’s enduring legacy and contributions to the global music scene, promising an unforgettable fusion of sounds and cultures.
April 13 2025
19+
Doors at 7:00PM
$55.38 - $74.41
Collective Concerts Presents
Mount Eerie is the evocative musical project of Phil Elverum, a visionary singer-songwriter and multi-instrumentalist hailing from Anacortes, Washington. Since transitioning from his former moniker, The Microphones, Elverum has continued to push the boundaries of indie music with Mount Eerie, crafting soundscapes that are as intimate as they are expansive. His work seamlessly weaves together elements of indie folk, lo-fi, and experimental music, resulting in a hauntingly beautiful sonic experience that resonates deeply with listeners.
With albums like, A Crow Looked at Me (2017), and Now Only (2018), Mount Eerie has garnered critical acclaim for its raw and honest exploration of life’s most profound moments. Elverum’s poignant songwriting delves into themes of love, loss, and the human condition, offering a candid glimpse into his personal journey. His ability to translate complex emotions into minimalist yet powerful compositions sets him apart as a truly unique voice in contemporary music.
Mount Eerie’s live performances are equally captivating, often featuring intimate settings that enhance the personal connection between Elverum and his audience. His concerts are not just shows but immersive experiences that leave a lasting impact.
Phil Elverum’s dedication to authenticity and artistic integrity has solidified Mount Eerie’s place as a seminal force in the indie music landscape. Whether you’re a long-time fan or new to his work, Mount Eerie offers a profound listening experience that challenges and inspires, reminding us of the transformative power of music.
April 15 2025
19+
Doors at 7:00PM
$49.32
Collective Concerts Presents
LA LOM, short for The Los Angeles League of Musicians, is a dynamic instrumental trio that masterfully blends the rich musical tapestry of Los Angeles into a distinctive and captivating sound. Formed in 2018, the band comprises guitarist Zac Sokolow, bassist Jake Faulkner, and percussionist Nicholas Baker—each a native Angeleno with deep musical roots.
The group’s journey began with regular performances at the Hollywood Roosevelt Hotel, where they honed their craft by infusing classic pop and soul covers with genres like surf rock, cumbia, and Peruvian chicha. This eclectic mix quickly became their signature style, resonating with diverse audiences and earning them a dedicated following.
In August 2024, LA LOM released their debut album, The Los Angeles League of Musicians, under Verve Records. Produced by Elliot Bergman of Wild Belle, the album showcases the band’s innovative approach, incorporating instruments such as piano and organ to enrich their live sound. The record debuted at number five on Billboard’s Tropical Albums chart, marking a significant milestone in their burgeoning career.
LA LOM’s music is a vibrant reflection of Los Angeles’s cultural diversity, seamlessly weaving together elements of cumbia sonidera, 60s soul ballads, classic romantic boleros, and the twang of Peruvian chicha and Bakersfield country. Their performances are a celebration of the city’s sonic heritage, captivating listeners across generations and cultures.
Having toured with renowned acts like Vampire Weekend, LA LOM continues to enchant audiences nationwide. Their dedication to authenticity and musical exploration positions them as a compelling force in the contemporary music scene, offering a fresh and nostalgic auditory experience that pays homage to the multifaceted sounds of their hometown.
April 16 2025
19+
Doors at 7:00PM
$42.24
Collective Concerts Presents
Saint Motel is a dynamic indie pop band that effortlessly blends vibrant melodies, cinematic soundscapes, and infectious energy to create a truly unique musical experience. Known for their eclectic style and immersive live performances, the Los Angeles-based quartet has built a loyal following with their genre-bending approach to modern pop. Fronted by the charismatic A/J Jackson, alongside Aaron Sharp on guitar, Dak Lerdamornpong on bass, and Greg Erwin on drums, Saint Motel combines a retro aesthetic with contemporary indie influences to craft songs that are both nostalgic and forward-thinking.
Their breakthrough single, My Type, captured audiences with its irresistible brass hooks and danceable grooves, while follow-up hits like, Move, and, Van Horn, continued to solidify their reputation for creating upbeat, feel-good anthems. Saint Motel’s albums, including, Voyeur, and, saintmotelevision, demonstrate their ability to seamlessly fuse elements of indie rock, funk, and disco, appealing to a wide range of listeners.
With each release, Saint Motel has expanded their creative boundaries, experimenting with visuals, interactive content, and immersive experiences like their groundbreaking VR album release. Whether you’re a longtime fan or new to their sound, Saint Motel promises to deliver an unforgettable experience filled with soaring choruses, catchy hooks, and a sense of playfulness that leaves audiences wanting more. For those seeking a fresh, exhilarating take on indie pop, Saint Motel is a band you don’t want to miss.
May 7 2025
19+
Doors at 7:00PM
$52.55
Live Nation Presents
Larkin Poe, the Grammy-nominated sister duo comprised of Rebecca and Megan Lovell, has swiftly ascended as one of the most dynamic forces in contemporary roots rock. Hailing from Atlanta, Georgia, and now based in Nashville, Tennessee, these multi-instrumentalist siblings fuse their Southern heritage with a modern edge, crafting a sound that’s both timeless and fiercely original.
Their latest album, Blood Harmony (2022), showcases the sisters’ exceptional songwriting and musicianship. The record delves deep into themes of kinship and resilience, blending gritty guitar riffs with soulful harmonies that resonate with authenticity. Tracks like “Strike Gold” and “Georgia Off My Mind” have garnered critical acclaim, solidifying Larkin Poe’s reputation for pushing the boundaries of blues and rock.
Over the past few years, Larkin Poe has graced the stages of prestigious festivals such as Glastonbury, Bonnaroo, and Lollapalooza, captivating global audiences with their electrifying performances. They’ve collaborated with legendary artists like Elvis Costello and Keith Urban, further highlighting their versatility and wide-reaching appeal. Their energetic live shows are a testament to their passion, featuring Rebecca’s searing lead guitar and powerful vocals alongside Megan’s masterful lap steel guitar and harmonies.
Beyond their musical prowess, the Lovell sisters are celebrated for their engaging social media presence and dedication to their fans. Their popular YouTube series, “Tip o’ the Hat,” where they cover classic songs with their unique twist, has amassed a devoted following.
As they continue to tour internationally and break new ground, Larkin Poe remains committed to honoring their roots while forging their own path. With a blend of raw talent and genuine artistry, they are not just performers but torchbearers of a new era in Southern rock and blues. Discover the undeniable magic of Larkin Poe—a band that’s as real as it gets.
May 14 2025
19+
Doors at 7:00PM
$45.00
Collective Concerts Presents
The Weather Station, the acclaimed project helmed by Toronto-based singer-songwriter Tamara Lindeman, has emerged as a defining voice in contemporary folk and indie music. With a career spanning over a decade, Lindeman’s introspective songwriting and evocative performances have garnered international praise, positioning The Weather Station as a beacon of authenticity and artistry in the modern music scene.
Blending poetic lyricism with intricate melodies, The Weather Station’s music delves deep into the human experience, exploring themes of identity, environment, and emotion. Lindeman’s nuanced storytelling is complemented by lush arrangements that weave together elements of folk, jazz, and pop, creating a soundscape that is both intimate and expansive.
The release of the critically acclaimed album, Ignorance, in 2021 marked a significant evolution in The Weather Station’s sound. Embracing a more expansive sonic palette, the album was celebrated for its bold exploration of climate anxiety and personal introspection, earning spots on numerous year-end best album lists from outlets like Pitchfork, The Guardian, and NPR Music. Songs like “Robber” and “Atlantic” showcase Lindeman’s ability to merge profound lyrical content with compelling rhythms and melodies.
In 2022, The Weather Station continued to captivate audiences with, How Is It That I Should Look at the Stars, a companion piece to, Ignorance, that offered a more subdued and piano-driven reflection on similar themes. This release further solidified Lindeman’s reputation as a fearless and thoughtful artist unafraid to push creative boundaries.
Live performances by The Weather Station are known for their emotional resonance and dynamic arrangements, often transforming intimate venues into shared spaces of reflection and connection. Lindeman’s genuine stage presence and the band’s cohesive musicianship create unforgettable experiences that resonate long after the final note.
As The Weather Station continues to evolve, Tamara Lindeman remains committed to crafting music that not only entertains but also challenges and inspires listeners. With a growing catalog of profound work, The Weather Station stands as a testament to the power of music as a force for personal and collective expression.
June 6 2025
19+
Doors at 7:00PM
$55.12
Collective Concerts Presents
Perfume Genius, the musical identity of Seattle native Mike Hadreas, has captivated global audiences with his fearless exploration of vulnerability, identity, and artistry. Since the release of his debut album, Learning (2010), through his long-time label home Matador, Hadreas has remained a master of emotional storytelling. With songs described by Pitchfork as “eviscerating and naked,” his nuanced vocals convey heartbreak and defiance in equal measure.
His 2012 sophomore album, Put Your Back N 2 It, solidified his growing acclaim. However, it was 2014’s Too Bright—co-produced by Adrian Utley of Portishead—that marked a seismic evolution in his artistry. Anchored by the anthem “Queen,” a bold and unapologetic celebration of queer identity, the album catapulted Hadreas into mainstream consciousness, with a standout performance on Late Night with David Letterman.
In 2017, Perfume Genius earned a Grammy nomination for No Shape, produced by Blake Mills. Described by The New Yorker as “unexpectedly victorious,” the album’s ethereal soundscapes expanded his fan base and cemented his reputation as a boundary-breaking artist.
2020’s, Set My Heart On Fire Immediately, featuring collaborators like Phoebe Bridgers and Jim Keltner, delved into masculinity and tradition, earning global acclaim. The follow-up, Ugly Season, paired with a surreal film by Jacolby Satterwhite, showcased Hadreas’s multidisciplinary vision.
Now based in Los Angeles with his partner and collaborator Alan Wyffels, Perfume Genius continues to redefine what it means to create art with heart, vulnerability, and limitless imagination.
June 14 2025
19+
Doors at 7:00PM
$55.12
Toronto’s renewed and reimagined premiere event space located centrally in beautiful Yorkville. Our concert hall and supporting spaces, turning 100 years old this year, guarantee your event will be unforgettable and one of a kind. Radiating with character and history, having hosted thousands of musical events across the last century, there’s a story and an experience around every corner.
Complete with a raised stage, ornate proscenium arch, active theatre lighting rig, hardwood dance floor, and awe inspiring acoustics, the hall is second to none in the city.
The Masonic Temple was opened with great ceremony on January 1, 1918. Owned by an independent corporation of Masons, the Temple was intended to house a disparate group of lodges and chapters; at one point, thirty-eight different groups called the temple home.
Unlike the rest of the Temple, the Concert Hall was intended as rental public space to help defray operating costs, with dressing rooms, a stage, and food preparation areas.
It’s been known by many names as music and owners changed: The Concert Hall; The Auditorium; Club 888; The Rockpile, Regency Ballroom. The Concert hall started out mainly being used as a lecture-hall (“G. K. Chesterton: Literature as Luggage”), ballroom (“Canada’s Largest Public Dance Every Wed. – Fri. – Sat.”) and to host community concerts.
That’s not to say there weren’t more fantastic events too - Frank Sinatra used to rent the building for private parties, and the Rolling Stones used the space as a summer rehearsal studio for years.
The Concert Hall started to gain traction as a rock concert venue in the 1960s, attracting performers like Wilson Pickett, Tina Turner, Blood, Sweat & Tears, Johnny Lee Hooker, Canned Heat, and Buddy Guy by 1968.
1969 was a massive year: Led Zeppelin, Muddy Waters, Frank Zappa, Chuck Berry, The Who, B. B. King, the Grateful Dead, Mothers of Invention. And that was just a lead into the 70s: The Animals, Iggy Pop, The Ramones, Toots and the Maytals, Hugh Masekela. The 80s starred Iron Maiden, The Cure, Dead Kennedys, King Crimson and Depeche Mode
But things were starting to look bleak. The Building’s condition had rapidly deteriorated throughout the 70s, and as Masons started moving to the suburbs, the Temple started to fall on hard times. The corporation started looking to sell in the mid 90s, but the bands played on, ranging from Vanilla Ice to Weird Al Yankovic, The Tragically Hip to Ice-T. Rage Against the Machine. Phish. Queen Latifah. David Bowie. Pearl Jam & The Smashing Pumpkins opened for The Red Hot Chili Peppers. Green Day opened for Bad Religion. It wasn’t enough.
The building narrowly escaped demolition in 1997 by being declared a heritage site (the ‘lucky’ 888 address was coveted by developers). CTV bought it in 1998 as a news bureau and venue for the Mike Bullard show. MTV took over in 2006, and, despite closing the Concert Hall, still managed to cage a performance from U2 in 2009.
MTV decided to up-stakes and move down to Queen Street in 2012, but the Temple only had to wait a year before Info-Tech Research Group bought and thoroughly renovated it. The Concert Hall has been opened for special events, like listening sessions lead by Jimmy Page, concerts by Luke and the Apostles and Platinum Blond, boxing events, and much more. Now that 888 Yonge Inc. has the reins, we can expect more fantastic events in this beautiful, historic space.
Special Thanks to Daniel Tate. @theflyervault
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